[ PDF ] Performing Remains: Art and War in Times of Theatrical Reenactment Online

☛ Click [ PDF ] Performing Remains: Art and War in Times of Theatrical Reenactment ☚

▶▶ Read Performing Remains: Art and War in Times of Theatrical Reenactment Books

Download As PDF : Performing Remains: Art and War in Times of Theatrical Reenactment



Detail books :

Author :

Date : 2011-04-06

Page :

Rating : 2.5

Reviews : 2

Category : Book

Reads or Downloads Performing Remains: Art and War in Times of Theatrical Reenactment Now

0415404428

Performing Remains Art and War in Times of Theatrical ~ Performing Remains Art and War in Times of Theatrical Reenactment Rebecca Schneider on FREE shipping on qualifying offers At last the past has arrived Performing Remains is Rebecca Schneiders authoritative statement on a major topic of interest to the field of theatre and performance studies

Performing Remains Art and War in Times of Theatrical ~ Performing Remains Art and War in Times of Theatrical Reenactment At last the past has arrived Performing Remains is Rebecca Schneiders authoritative statement on a major topic of interest to the field of theatre and performance studies

Performing Remains Art and War in Times of Theatrical ~ Performing Remains Art and War in Times of Theatrical Reenactment Kindle edition by Rebecca Schneider Download it once and read it on your Kindle device PC phones or tablets Use features like bookmarks note taking and highlighting while reading Performing Remains Art and War in Times of Theatrical Reenactment

Performing Remains Art and war in times of theatrical ~ performance art United States Civil War reenactment performance theory theatre events photography statuary and all manner of “live art” The questions at its base concern the temporality of reenactment and the interinanimation – to borrow a word from Fred Moten and John Donne – of intermedia of syncopated time and of theatrical acts

Performing Remains Art and War in Times of Theatrical ~ Performing Remains is Rebecca Schneiders authoritative statement on a major topic of interest to the field of theatre and performance studies It extends and consolidates her pioneering contributions to the field through its interdisciplinary method vivid writing and stimulating polemic

Performing Remains Art and War in Times of Theatrical ~ Performing Remains Art and War in Times of Theatrical Reenactment by Rebecca Schneider Lara Nielsen Troubling Vision Performance Visuality and Blackness by Nicole R Fleetwood

Project MUSE Performing Remains Art and War in Times of ~ Focusing on Marina Abramović’s 2010 installation The Artist Is Present queer artistactivist Allison Smith’s 2005 performance The Muster and interviews with Civil War reenactors Schneider argues that “elite” artists and Civil War hobbyists share the assumption that history gains more in the reenacting—that the errors and revisions that reenactment entails have as much to teach us about the past as an exacting examination of its archive

Project MUSE Performing Remains Art and War in Times of ~ Rebecca Schneider addresses such anxieties astutely and comprehensively in her eagerly awaited Performing Remains Art and War in Times of Reenactment and suggests contra Anderson that rather than a state of malaise this cultural drive toward reperformance reiteration and repetition “underscores that the battle of much reenactment in art and in war is a battle concerning the future of the past” 4

Project MUSE Performing Remains Art and War in Times of ~ Written with expert—and extremely attentive—scholarship Rebecca Schneider’s Performing Remains is not only a “paradigmchanging book about reenactment” as Jerome de Groot describes it but arguably a book that reinvigorates theatre and performance studies The work is careful—the author consistently defines her terms and examines them again and again

Project MUSE Performing Remains Art and War in Times of ~ Performance Remains is a timely and challenging study of an undertheorized topic in American culture historical reenactment While performance commonly is seen as an ephemeral art form Schneider argues for the myriad ways in which it remains in the here and now She shows the value and possibility of not only actual material remains—such as the fake finger from a Civil War reenactment she photographed for her cover—but also of the material traces of performance that many might have